Brittany Hoversten

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Category: Leadership & Nonprofit

Leading marketing teams and functions, nonprofit marketing and building departments that prove their value.

  • How to Turn Your In-House Creative Team Into a Profit Center

    Every budget season, someone looks at the creative department and asks the same question: “What do we actually get for this?” If your in-house creative team can only answer with a list of projects completed, you’re on defense. You’re a cost to be managed, and costs get cut.

    I’ve been on the other side of that conversation. At Buyers Edge Platform, I launched a corporate videography service line that brought in more than $60K in its first year. It didn’t come from working harder. It came from running creative like a business inside the business.

    You don’t have to sell services externally to do this. “Profit center” can also mean proving, in dollars, what your team saves and earns. Here’s how to get there.

    Why in-house creative teams get treated as overhead

    Creative teams rarely lose budget because they’re bad at the work. They lose it because the value is invisible. A few patterns I see over and over:

    • Free work feels worthless. When requests cost the requester nothing, everything is urgent and nothing is valued.
    • No intake, no data. If requests arrive by hallway, text and email, you can’t report volume, turnaround or demand.
    • The team reports activity, not outcomes. “We made 300 assets” doesn’t mean much to a CFO.
    • Outside agencies set the benchmark. Leaders know what an agency invoice looks like. They’ve never seen one from you.

    Fix the visibility problem and the budget conversation changes.

    Step 1: Know what your in-house creative team costs and saves

    Start with a simple internal rate. Take your team’s fully loaded annual cost (salaries, benefits, software, equipment) and divide it by billable hours you can realistically deliver. That’s your cost per hour.

    Then compare it with what the same work would cost from outside vendors. Get real quotes for a few common deliverables, like a two-minute promotional video, an event photography half day or a campaign graphics package. The difference between the outside price and your internal cost is value you’re already creating. Most teams never write it down.

    Keep a running log for one quarter:

    1. Every project completed.
    2. Hours spent.
    3. What an outside vendor would have charged.
    4. The business result it supported, if known (a launch, an event, a sales deck).

    One quarter of that log is worth more than any slide about creative excellence.

    This works in nonprofits, too. You may never sell a single service, but a board that sees how much outside agency spending the creative team replaced in a year looks at that line item very differently. The question shifts from “Can we afford this team?” to “Can we afford to lose it?”

    Step 2: Productize what you already do well

    Profit centers sell products, not hours. Look at your request history and find the work that repeats. Then package it.

    What a creative product looks like

    A product has a name, a defined scope, a standard turnaround and a price (or an internal charge-back). For example:

    • Event coverage package: photo or video coverage, a highlight edit and a selects gallery delivered within a set number of business days.
    • Testimonial video: one interview, B-roll, a short edit and a social cut-down.
    • Campaign starter kit: key visual, social templates, email header and a one-page flyer.

    That’s the logic behind the videography service line I launched: a defined offering, clearly priced and easy to buy. When the package is clear, the value is obvious, both to internal teams and to paying customers.

    Pick what to say no to

    Productizing also means deciding what you won’t do. If the team spends hours on one-off requests that don’t connect to goals, the menu gives you a polite way to redirect them.

    Step 3: Build the workflow that protects margin

    Margin disappears in the gaps: unclear briefs, endless revisions, files nobody can find and approvals that sit for a week. These gaps are exactly what workflow fixes close.

    The workflow essentials:

    • One intake form that captures the goal, audience, deadline, budget owner and approver.
    • A defined revision policy, such as two rounds included and more by request.
    • Templates and a shared asset library, so nobody rebuilds what already exists.
    • A project tracker everyone can see, with status and due dates.
    • A kickoff and a wrap, even if each is five minutes.

    None of this is fancy. All of it compounds. A team that stops redoing work suddenly has capacity, and capacity is what you sell.

    Step 4: Price it, report it and grow

    Report it like a business

    Whether you charge internal departments, sell externally or just show what work would have cost, the reporting looks similar. Each quarter, report:

    • Revenue earned or charge-backs collected.
    • Cost avoided compared with outside vendors.
    • Volume and on-time delivery rate.
    • Two or three business outcomes the work supported.

    Put it on one page. Lead with dollars, then outcomes, then volume. If you need help choosing what leadership will care about, I wrote about the marketing metrics your board actually cares about, and the same rules apply here.

    A word of caution on charge-backs: they change behavior, not always for the better. Charge too much and departments start buying cheap outside work that’s off brand. Start with a “shadow invoice” that shows what work would cost without actually charging it. You get the value conversation without the turf war.

    Grow without breaking the team

    When the model works, demand goes up. That’s the good problem. Grow in this order:

    1. Systematize first. Templates, checklists and presets before headcount.
    2. Use contractors for peaks. A trusted bench of freelancers gives you flex without fixed cost. In my consultancy, Highbloom Digital, I managed a distributed bench of up to 30 contractors, and the work is always better when the brief is clear and the feedback is fast.
    3. Hire for the products that sell. Let demand tell you which role to add next.

    It also helps to build a team of T-shaped marketers: people who have one deep specialty and can still pitch in across photo, video, design and web. Small teams with broad skills absorb demand spikes far better than teams of narrow specialists.

    Key takeaways

    • Creative teams get cut when their value is invisible, so make it visible in dollars.
    • Calculate your internal cost per hour and compare it with outside vendor pricing.
    • Turn repeat requests into named products with scope, turnaround and price.
    • Protect margin with intake, revision limits, templates and a shared tracker.
    • Report revenue, cost avoided and outcomes each quarter on a single page.

    FAQ

    How can an in-house creative team generate revenue?

    An in-house creative team can generate revenue by packaging repeat services, such as video, photography or design kits, and selling them to customers, partners or other business units. It can also charge internal departments for work or report the outside cost it avoids.

    Should in-house creative teams charge other departments?

    Sometimes. Charge-backs make value visible but can push departments toward cheaper outside work. A good middle step is a shadow invoice that shows what the work would cost without actually billing for it.

    What should an in-house creative team report to leadership?

    Report revenue or charge-backs, cost avoided compared with agency pricing, volume and on-time delivery, and the business outcomes the work supported. Keep it to one page and lead with dollars.

    Want to see the kind of creative this approach produces? Browse my photo and video work.

    / Work with Brittany

    Ready to turn your creative team from a cost line into a value story?

    Hiring a marketing leader or need a hands-on partner for a project? See how we can work together or send me a note.

  • The One-Person Marketing Department Playbook for Nonprofits

    You’re the marketing department. You’re also the social media manager, the photographer, the web person, the newsletter writer and the person who gets asked to “just make a quick flyer” at 4:45 on a Friday. If you work at a nonprofit, there’s a good chance that description fits.

    A one-person marketing department isn’t a failure of planning. For many nonprofits and small organizations, it’s the budget reality. What makes or breaks the role is whether that one person has a system or just a longer to-do list. I’ve lived the small-team, wear-every-hat version of this work, and this is the playbook I’d hand anyone stepping into it.

    The hard truth about a one-person marketing department

    You can’t do everything. You can do the right things well and the rest on purpose.

    The trap is trying to match what bigger organizations do: daily posts on every platform, a weekly blog, a monthly newsletter, a video series, an annual report and full event support. Spread that across one person and everything ends up mediocre and late.

    Your job isn’t to do more. It’s to decide what matters, protect time for it and make everything else easier.

    Set direction: outcomes first, then channels

    Decide what marketing is for this year

    Before you touch a calendar, get leadership to agree on two or three outcomes marketing is responsible for. Not tactics. Outcomes. For example:

    • Increase volunteer sign-ups for a specific program
    • Grow the monthly donor base
    • Raise awareness of a service within a specific community
    • Support a capital campaign with consistent stories

    Then write down what you’re not responsible for, or what gets a lighter touch. This conversation is uncomfortable once and saves you from a hundred uncomfortable conversations later.

    If your organization blurs marketing and communications (most do), it helps to name which hat you’re wearing for which work. I break that down in strategic communications vs. marketing.

    Pick two or three channels and cut the rest

    A one-person shop should run two or three core channels well. Usually that’s:

    1. Your website. It’s the one channel you fully own. Keep it accurate, fast and clear about how to give, get help or get involved.
    2. Email. Your most direct line to supporters. A consistent, well-written email often does more than sporadic social posting.
    3. One or two social platforms. Choose where your audience actually is, based on your own data, not on what’s new.

    Everything else is optional. Keep other profiles accurate, with a clear bio and a link, but don’t feed them daily. A quiet, tidy profile beats an abandoned, messy one.

    Build systems that do the work for you

    This is where breadth pays off. Systems are what let one person work like three.

    Templates

    Build branded templates for the things you make most: social graphics, flyers, event signage, email headers and one-pagers. At Catholic Charities of the Diocese of St. Cloud, I built branded Canva templates so staff could create materials without starting from scratch or breaking the brand. Good templates turn “Can you make this for me?” into “Here’s the template. Have at it.”

    An organized image library

    Lost photos cost you hours. Set up a simple shared library with a clear folder structure (year, program, event) and a naming convention. Record consent status for any photo of a person. I organized an image repository in my current role for exactly this reason, and earlier led a company-wide digital asset management rollout at Buyers Edge Platform. Big team or tiny one, the principle holds: if you can’t find it, you don’t have it.

    A front door for requests

    Create one way to request marketing help: a short form that asks for the goal, audience, deadline and key details. It does two things. It stops requests from arriving by hallway, text and sticky note. And it gives you data on where your time actually goes, which you’ll want later.

    Repeatable content formats

    Pick three or four formats you can produce on repeat: a monthly client or volunteer story, a “by the numbers” update, a staff spotlight and an event recap. Formats cut decision fatigue and make planning almost automatic.

    Protect your time like it’s budget

    Because it is. A few rules I’d recommend:

    • Set a request lead time. Two weeks for standard requests, longer for print and video. Publish it. Hold to it kindly.
    • Batch your work. Write a month of social posts in one sitting. Edit photos in one block. Constant context switching quietly eats small teams alive.
    • Block focus time. Put two or three recurring blocks on your calendar for strategy and deep work. Treat them like meetings with your CEO.
    • Say “yes, and here’s the tradeoff.” When a new request lands, name what moves to make room for it. Leaders usually respond well to that, because it shows them the real cost.

    Show your impact and know when to get help

    Report monthly, on one page

    The one-person department is easy to undervalue because the work is spread so thin. Fix that with a short monthly report to leadership: three or four numbers tied to your agreed outcomes, one story that shows impact and one decision you need from them.

    Keep it short. A one-page report they read beats a 20-page deck they skim. I’ll go deeper on the metrics leaders actually care about in my next post.

    Bring in help with clear briefs

    You don’t have to do it all yourself, even as the only marketing staff member. Smart help includes:

    • Volunteers or interns for photography, event coverage or social scheduling, with clear guidelines and templates
    • Freelancers for specialized, high-stakes work like a major video or a website rebuild
    • Board members or partners with professional skills who can review or advise
    • AI tools for first drafts, transcription and resizing assets, with a human reviewing anything that goes public

    Outsourcing works best when you can write a good brief. That’s another reason the solo marketer needs range. You don’t have to be an expert in everything, but you need to know enough to direct the work. That’s the heart of being a t-shaped marketer.

    Key takeaways

    • A one-person marketing department needs a system, not a longer to-do list.
    • Agree on two or three outcomes with leadership, and name what you won’t do.
    • Run two or three core channels well instead of every channel poorly.
    • Templates, an organized image library, a request form and repeatable formats multiply your capacity.
    • Protect your time, report impact monthly and bring in help with clear briefs.

    Frequently asked questions

    How do you run a one-person marketing department?

    Agree on a few outcomes with leadership, focus on two or three core channels and build systems such as templates, a request form and an organized asset library. Batch your work and report results monthly on one page.

    What should a nonprofit marketer prioritize first?

    Prioritize the website, email and one or two social platforms where your audience is most active. Tie that work to the outcomes leadership agreed on, such as donations, volunteers or program awareness.

    When should a one-person marketing department ask for more help?

    Ask when important work is consistently late or skipped, when requests regularly exceed capacity or when a high-stakes project like a rebrand or website rebuild needs specialized skills. Request-form data makes that case far easier to prove.

    / Work with Brittany

    Running marketing solo and ready for a system that actually holds up?

    Hiring a marketing leader or need a hands-on partner for a project? See how we can work together or send me a note.

  • The T-Shaped Marketer: Why Breadth Plus Depth Wins

    Most marketing job descriptions I read are really three jobs stapled together. Brand, social, video, web, analytics and maybe “some CRM work.” Hiring managers know it’s a lot. They post it anyway, because that’s the work.

    The people who thrive in those roles aren’t generalists who dabble, and they aren’t specialists who refuse to touch anything outside their lane. They’re t-shaped marketers: broad enough to do the work across channels, deep enough in one or two areas to set direction. After 10+ years in marketing, I’m convinced the t-shaped marketer is the most useful person on a modern team, especially a small one.

    Here’s what that shape looks like, why it works, and how to build it or hire for it.

    What a t-shaped marketer actually is

    Picture the letter T. The horizontal bar is breadth: the range of skills you can pick up and use competently. The vertical bar is depth: the one or two disciplines where you’re the person others come to for judgment, not just execution.

    The idea isn’t new. Versions of it have floated around management and design circles for decades. But marketing has changed enough that it deserves a fresh look.

    A few distinctions matter:

    • Breadth is not dabbling. You should be able to ship real work across the bar, not just talk about it. If video is on your resume, you should be able to plan a shoot and cut a usable piece.
    • Depth is not a job title. It’s where your judgment is trusted when the stakes are high and the answer isn’t obvious.
    • The bars connect. The value lives in the overlap. A strategist who understands how a video gets made writes better briefs. An analyst who has built a website asks better questions about traffic.

    Why breadth matters on small teams

    On a small team, nobody hands you a tidy lane. Monday is a board report. Tuesday is a broken donation form. Wednesday is a photo shoot. Thursday someone needs a flyer by noon, and Friday you’re explaining to leadership why the newsletter open rate dipped.

    Breadth is what keeps that week from falling apart. Three practical reasons:

    1. Fewer handoffs. Every handoff is a chance for the idea to get diluted, delayed or lost. When one person can write the copy, design the graphic and schedule the post, the work stays coherent.
    2. Better briefs when you do outsource. You don’t have to be the best videographer in the state to hire one well. But you do need to know what a shot list is, how long editing really takes and what “make it pop” will cost you.
    3. Fewer vendor surprises. If you understand how a website is built, nobody can tell you a simple change requires a six-week project without you raising an eyebrow.

    I learned this early. My web design and development background means I don’t just use tools like WordPress, HTML and Figma. I can build with them. That changes the conversation with developers, agencies and IT teams. I’m not asking for magic. I’m asking for specific things.

    Why depth keeps breadth from turning into chaos

    Here’s the hard truth about pure generalists: they get busy, not better. Without a deep core, a broad marketer ends up as the department’s order-taker. Lots of output. Very little direction.

    Depth is what gives breadth a point of view. It’s the part of the T that asks “Should we do this at all?” before anyone asks “How fast can we do this?”

    Depth shows up in moments like these:

    • Leadership wants to post a reaction to a news story, and you know whether that helps or hurts the organization’s reputation.
    • The dashboard says traffic is up, and you know whether that traffic actually matters.
    • Someone wants AI to write every social post, and you know where it saves time and where it creates risk.

    Breadth gets the work done. Depth makes sure it’s the right work.

    My T, as a working example

    I’ll use myself here, because it’s the example I know best and it shows how the shape plays out in real jobs.

    The horizontal bar

    Content creation, branding, design, digital assets, social media, photography, videography, web and marketing technology. I’ve used all of these across nonprofit, agency and corporate roles. At Buyers Edge Platform, that breadth let me launch a corporate videography service line that brought in more than $60K in its first year, and lead a company-wide digital asset management rollout. Neither was purely a “video person” project or a “systems person” project. They were both.

    The vertical bar

    Strategic communications, analytics and AI. This is where I set direction. At Tri-County Action Program, I advised the executive team and the Board, built a five-year technology plan that identified $350K in savings, led a six-month transition to outsourced IT and finished a rebrand already underway. That’s depth doing its job: deciding what matters, then using breadth to deliver it.

    AI sits in my vertical bar, but I treat it as one tool among many. It’s useful when you know what good looks like. It’s risky when you don’t. That’s exactly why depth matters.

    If you want the longer version, my background and experience are on the About page.

    How to build (or hire) a t-shaped marketer

    If you’re building your own T

    You don’t build a T by collecting certifications at random. You build it on purpose. Here’s what I’d recommend to any marketer five or ten years in:

    1. Map your current shape honestly. List every skill you use. Mark each one “I can teach this,” “I can ship this” or “I can talk about this.” Only the first two count.
    2. Pick your vertical bar. Choose one or two disciplines where you want leaders to trust your judgment. Pick based on what you love and what organizations struggle to find, not what’s trendy this quarter.
    3. Fill the gaps that slow you down. Look at your last six months. Where did you wait on someone else, or ship something weaker because you didn’t know the craft? That’s your next horizontal skill.
    4. Build, don’t just use. Make a landing page. Set up a dashboard. Edit a short video start to finish. Building teaches you where the real constraints are.
    5. Back your depth with formal learning where it counts. I’m working toward a B.A. in Integrated Studies at St. Cloud State University (online, expected spring 2028), focused on strategic communications, business economics and marketing, because I wanted my vertical bar backed by more than experience.
    6. Show the connections. In interviews and reviews, don’t just list skills. Explain how one made you better at another.

    If you’re hiring one

    A resume full of tool names won’t tell you much. Ask questions that reveal both bars:

    • “Walk me through a project where you did the strategy and the execution. What would have gone differently if you’d only owned one of those?”
    • “What’s something you can build yourself that most marketers have to outsource?”
    • “Where do people come to you for a judgment call, not a deliverable?”
    • “Tell me about a time you told leadership not to do something. What happened?”

    Look for people who can show you the work, explain the reasoning and admit what they’d hand off. A good t-shaped marketer knows where their bar ends. You can see how that looks in practice in my portfolio of marketing work.

    Key takeaways

    • A t-shaped marketer pairs real breadth across channels with deep expertise in one or two areas.
    • Breadth cuts handoffs, improves briefs and protects you from vendor surprises.
    • Depth gives the work direction, so a broad marketer doesn’t become an order-taker.
    • Build your T on purpose: map it, pick your depth, fill the gaps that slow you down and build things.
    • When hiring, ask for judgment calls, not just tool lists.

    Frequently asked questions

    What is a t-shaped marketer?

    A t-shaped marketer has working skills across many marketing disciplines, such as content, design, social, video and web, plus deep expertise in one or two areas, such as strategy or analytics. The breadth handles execution. The depth sets direction.

    Is it better to be a specialist or a generalist in marketing?

    For most small and mid-sized teams, neither extreme is ideal. Specialists can struggle when the job spans many channels, and pure generalists can lack the judgment to set direction. The t-shaped model combines both.

    How do I become a t-shaped marketer?

    Map the skills you can actually ship, choose one or two areas to go deep in, and add new skills based on where you get stuck most often. Building real projects teaches faster than collecting certificates.

    / Work with Brittany

    Need a marketer who can set the strategy and still build the thing?

    Hiring a marketing leader or need a hands-on partner for a project? See how we can work together or send me a note.